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I look at photography as connected to play and performance, investigating in how machine driven desires and the need to represent and repeat that which is already present - the representations bound to materiality - have the ability to produce the new.  

En extension of  Ulli Strehl and mine materialundersökningar. 
We have during one year, been exhausting a centrepiece originally made for a dinner party in November 2024. The work has been played out in various contexts and in a multitude of different photographic processes with the aim of us eventually growing tired of representing the piece. Eventually we have arrived at a small exhibition of our research in October 2025. 

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EXHIBITED AT
STUDIO GORDON

as "Centrepiece 1- work in progress"
BIBCA EXTENDED
okt-nov 2025

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An explication of mine and artist Ulli Strehls investigations in materiality and photography that has taken place since 2018, looking at materiality in photography and the processes that come to inform the outcome

EXHIBITED AT FORMCENTER VÄST
2024

ETUDÈS / MATERIALUNDERSÖKNINGAR

Exhibition at Formcenter Väst 17-22 May 2024

A small explication of our investigations in materiality and photography that has taken place since 2018, looking at materiality in photography and the process that shapes the outcome

INDEX

With Karin Peterson for her Thesis
"Form-defining systems for reverse crafting"

2018-2022

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My interest is in explorations of what defines photography outside its representation.,  I am particularly interested in the role of desire connected to lens-based and machine-driven activity.  My work explores the actions, situations and emotions initiated and created by the process of copy and repetition in the photographic event , extending that research into how photography has the ability to create our world anew by its very particular relationship to being. 

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Pool 

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A SMALL CATALOGUE OF EMOTIONS

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